Roadcase / Tourcase for Console. Power cables for Console and DigiRack. The D5 Live is the digital mixing system that changed the professional audio industrys perceptions of what a digital console can do, and how it should do it. The D5 Live software gives you unparalleled flexibility in configuring your console precisely to suit the show. The control surface consists of three input sections, each with their own dedicated touch screen, 8 faders and 6 individually selectable bank switches allowing multiple user operation.The master section has its own touch screen with 16 Faders plus master and two lots of selectable bank switches for instant access to Groups, Auxes, Matrix and Control Groups. The Engine itself is integral to the console worksurface, its internal busses can be set up as mono or stereo auxiliaries and mono or stereo or surround busses the console is fully 5.1-ready as well as for LCR(S), with three joystick surround sound panners for instant sound placement.
And you can instantly select a basic set-up for either front-of-house or monitor mixing. With both types of console sharing the same fibre optic loop, automatic Gain Tracking allows either console operator to alter input gain without affecting the mix on either console. All D5 systems includes the digital effects card which allows you to run up to six digital effects per channel simultaneously, including dedicated reverb algorithms, flanging, phasing, double tracking, vocoder, delays, dynamics, compression and equalisation for up to 7.1 surround sound outputs and up to twelve 28 band graphic equalisers. It also includes the Insertable Processing Channels which provide a total of 32 IPCs, each complete with 6 bands of fully parametric equalisation, a fully featured compressor / limiter and digital delay of up to 512 milliseconds. In a complete house-and-monitor D5 Live system, Gain Tracking, a world first for DiGiCo, allows either console operator to change any input gain without affecting the sound balance on either console - Gain Tracking is selectable on each channel independently on each console.The D5 Live has four MADI connections and two Optical (the second optical allowing for a redundant loop) This allows a combination of up to four of any DiGiCo I/O Racks to be used with the console. Thus, giving the ability to connect up to 224 inputs and 224 Outputs. Quantization range Frequency response Level linearity deviation Phase difference between channels Channel separation Total harmonic distortion Maximum input level (at unity gain) mic and line Microphone equivalent input noise (150 ohm, 60dB gain) Maximum analogue gain (mic and line) Mic input impedance All other analogue inputs impedances. 24-bits 20Hz-20kHz +/-0.2dB 0dB to 90dB <0.3dB 20Hz to 20 kHz <2 degrees 100Hz to 10kHz >90dB 100Hz to 10kHz <0.004% +22dBU -127.5dB +60dB >1k ohms >5k ohms. Quantization range Frequency response 20Hz-20kHz Level linearity deviation 0dB to 90dB Phase difference between channels 20Hz to 20 kHz Channel separation 100Hz to 10kHz Total harmonic distortion 100Hz to 10kHz Idle channel noise ratio Maximum output level Output impedance. 24-bits +/-0.2dB <0.3dB <2 degrees >90dB <0.004% <112dB +22dBU 50 ohms. 24bit (with sample rate converters) 56 channels of 24 bit audio 512 channel redundant optical loop.
44.1 and 48kHz using a high stability numerically controlled oscillator. With an upgrade option to 96kHz From any digital input Black burst 75ohm video Wordclock. 87 to 260v AC 50/60Hz autosensing.
300 watts max 87 to 260v AC 50/60Hz autosensing. Note: All measurements are made with a 22Hz to 22kHz filter and RMS detector. Up to 240mS in0.5mS increments. High pass slope High pass frequency range (-3dB). Low pass slope Low pass frequency range (-3Db).
Mode 1: Bell Gain range Frequency range Q range Mode 2: High Shelving Gain range Frequency range Q range Mode 3: Low Pass Low pass slope Low pass frequency. Gain range Frequency range Q range.
Mode 1: Bell Gain range Frequency range Q range Mode 2: Low Shelving Gain range Frequency range Q range Mode 3: High Pass High pass slope High pass frequency. 12dB/octave 20Hz to 20kHz -12dB/octave 200Hz to 20kHz +/-18dB 20Hz to 20kHz 0.1 To 20 +/-18dB 20Hz to 20kHz 0.1 to 0.85 -12dB/octave 20Hz to 20kHz +/-18dB 20Hz to 20kHz 01.
To 20 +/-18dB 20Hz to 20kHz 01. To 20 +/-18dB 20Hz to 20kHz 0.1 To 20 +/-18dB 20Hz to 20kHz 0.1 to 0.85 -12dB/octave 20Hz to 20kHz. Threshold range Attack range Decay range Ratio range Gain make up range.
Threshold range Attack range Decay range Hold range Gate depth range. Attack time Threshold range Release range. 50dB to 0dB 500uS to 100mS 10mS to 10S 1:1 to 50:1 0 to 40dB -50dB to 0dB 50uS to 100mS 5mS to 5S 2mS to 2S 0 to -90dB 1 audio sample 0 to 50dB 5mS to 5s. Large reverb in FX1 only reverb in any/all FX slots.
Large hall clear hall warm hall bright hall stage hall ambient hall live hall soft hall vocal hall small hall. Silky plate bright plate hard plate ambient plate perc plate. Wood room clear room percussion room rehearsal room hard room.
Lounge kitchen bathroom corridor car boardroom factory subway courtyard forest. FX6 only one delay unit available. Simple delay studio delay pingpong stereo 4 tap chorus & echo.
Piano chorus strings chorus strum chorus pick chorus lo chorus deep flange light flange vibrato robo. Pich shifters in any/all FX2.. Dual pitch stereo pitch 12 string vox thicken vox double.
Output processing slots FX5 and/or FX6 mutiband compressor, soft clipping limiter 4 band parametric eq and filters, and normalisation available up to 8 channels wide. Stereo LCRS 5.1 7.1. Slots FX5 and/or FX6 28 band proportional Q pairs selectable as stereo. The item "Digico D5 Live Digital Mixing Audio Console Mixer + MADI Digirack + Roadcase" is in sale since Monday, March 20, 2017. This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Live & Studio Mixers".
The seller is "antsound01" and is located in Victoria, Gozo. This item can be shipped to United States.