Live Digital Console Control Centre with 64 Input Channels, 8 MIDAS Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate. Live performance digital console control centre with up to 64 simultaneous input channels.8 award-winning MIDAS microphone preamplifiers. 27 time-aligned and phase-coherent mix buses. The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor. AES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals. The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.
Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO2 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years. PRO2 incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.
PRO2 also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires.
PRO2s new output section, which features 24 direct bus selection switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes. When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed. When the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor.If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor. When the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix. If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank.
When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability. Integrated Effects Processors and Graphic Equalisers. The PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual eff ect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing.
Up to 28 13 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO2 provides comprehensive automatic latency management of all internal routing and processing latency and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specifi c frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.
Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use. The PRO2 features a 15 full colour daylight-viewable TFT display for use in all environments, both inside and outdoors.
The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times. The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console.Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles. Delivering unprecedented control and mobility, the MIXTENDER App for iPad combines control of key functions with the highly responsive system metering, allowing users to take control of PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store. Auto-Ranging Universal Switch-Mode Power Supplies.
PRO2 features dual-redundant power supplies, which are interchangeable with those in PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply. 48 Input, 16 Output Stage Box with 48 MIDAS Microphone Preamplifiers. 48 award-winning MIDAS microphone preamplifiers with switchable +48 V phantom power. 16 actively balanced low impedance line level outputs.Selectable 96 kHz or 48 kHz sample rate operation. Remote operation up to 100 m via CAT5/5e cable. DL251 is a 5U 19 fixed-configuration rack I/O unit with 48 mic/line level inputs and 16 line level outputs and delivers legendary MIDAS sound quality utilising our time-tested and road-proven technologies. Featuring award-winning MIDAS microphone preamplifiers with 2.5 dB analogue gain steps and three AES50 network ports providing N+1 redundancy, plus an Ethernet control port and a MIDI Interface (In, Out, Thru), the DL251 is the ideal partner to the MIDAS M Series and PRO Series digital consoles, enabling a digital snake connection from Front of House to stage. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL251 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use to meet the demanding requirements of live concert touring. DL251 is compatible with all MIDAS digital consoles and audio system engines, as well as with any other AES50-equipped devices. High Output Drive Line Outputs with Mute. DL251 features 16 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs. A recessed Mute All Outputs switch on the rear panel allows quiet and safe re-patching of cables, even during a show. 96 kHz or 48 kHz Operation.
DL251 supports multiple sample rates for the AES50 connections - 96 kHz for use with MIDAS PRO Series, and 48 kHz for use with MIDAS M32 Series. Remote Console or Front Panel Control. All configuration settings for DL251 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL251 features front panel switches for all configuration options with LED status indicators, which provide highly visible feedback of operational status over wide viewing angles and distances. Clear indication is provided of power supply output rail condition, AES50 and Ethernet network connection status and activity, choice of internal or external clock synchronisation, unit identification and communication mode setting.
Featuring a rugged steel 5U rackmount enclosure, the DL251 is designed for the rigours of live concert touring. Premium Neutrik connectors are used to ensure reliable audio and network connections, night after night.Dual Redundant Universal Switch-Mode Power Supplies. DL251 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply. DL251 Architecture and Engineering Specifications. The interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance.
It shall feature 48 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps and 16 servo-balanced electronic outputs on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates. The interface unit shall include a recessed switch on the rear panel to mute all outputs.
The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Three digital audio network ports and one Ethernet control port shall be provided. An industry-standard MIDI Interface (In, Out, Thru) shall also be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide LED status of power supply output rail condition, digital audio and control network connection status and activity, clock synchronisation source, unit identification and communication mode setting.The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis. The interface unit shall be housed in a standard 5U 19" rackmount chassis, and shall be 483 mm wide x 414 mm deep x 221 mm high (19.0" x 16.3" x 8.7"), with nominal weight 10 kg (22.1 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight.
Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the MIDAS DL251 and no other alternative shall be acceptable. The item "Midas pro 2 + Tour Road Case + Dl251" is in sale since Tuesday, March 19, 2019.This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Live & Studio Mixers". The seller is "djklen" and is located in Saskatoon, Saskatchewan. This item can be shipped to Canada, United States.